Miss Matisse Interview- With Published Author Digger Cartwright Question 12

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Miss Matisse: I totally agree with you! A writer does have to be in a certain mindset in order to produce their best work. Otherwise it can throw the whole story off! So…sticking with the same subject, have you ever made any mistakes in your field that you would like to advise others against?

Digger Cartwright: Stay productive. Keep writing. Don’t take too much time off between books. If you do, you’re likely going to become complacent and take your time before starting the next book. As soon as your current manuscript is with the editor, get to work on the next one. If you’re serious about writing, keep producing as much as you can without sacrificing quality while you can when you can. The day may come when you don’t have the time or the creative juices dry up. I find that if I take too much time off between books that it becomes more and more difficult to start the next one.

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Miss Matisse Interview- With Published Author Digger Cartwright Question 11

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Miss Matisse: I happen to absolutely love that you keep your fans in mind while writing too! Your new series sounds like it’s going to be a big hit! When it comes to writing, have you ever had to overcome writers block? If so, how were you able to work around it?

Digger Cartwright: I will occasionally encounter writer’s block. For me, I have to be in the right frame of mind to sit down and write. I really have to be in the mood. When I’m in the zone, so to speak, I can just sit and crank it out. If I’m not in the zone, it’s tough; it’s very laborious under those circumstances. Where I often encounter writer’s block is that I create a situation while I’m working that impacts the direction I was taking. I have to work through the change and the implications for the storyline. I like to say I’ve worked myself into a corner and have to figure a way out. Usually it’s just a matter of stepping away for a while and letting it all work through my mind. Sometimes I’ll need to take a break, have something to eat, get some fresh air, go walk around, or even listen to some music. Really it’s just a matter of stepping away and clearing my mind. Once the answer comes to me, I’ll get focused and get back to work.

Ultimately, I think any writer really has to be in the right frame of mind to do their best work. I’ve read a lot of books in the recent past that seemed to indicate the author was trying to force the words onto paper and it came across as being of a lesser quality than their normal prose.

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Miss Matisse Interview- With Published Author Digger Cartwright Question 10

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Miss Matisse: You’re currently writing a piece about Money, Power, Greed, Sex and Revenge…high society has a new first family…in which, the character Jarrod Van Kliem returns from exile in London to reclaim control of the family business that was grabbed from him years ago, and he’ll stop at nothing to get what he wants—even if it means destroying his own family in the process! This I find fascinating! Where did this idea stem from?

Digger Cartwright: I was always a fan of Falcon Crest, Dallas and Dynasty, the prime time soap operas back in the 1980s. I wanted to create a modern-day drama with everything that made those shows so great—money, high society, power, backstabbing, wheeling and dealing, revenge, sex. Gems & Jewels is a modern-day take on that with a family that is involved in the mining and jewelry industry. I actually started out with this as a teleplay years ago in hopes of making it a mini-series that led to an actual weekly series. That never worked out, so last year I decided to make this a series of books, starting with Gems & Jewels Book II: The Restoration. When I wrote the teleplay, I actually had planned out about five seasons of the show, so all the plots for Books II through V are already laid out for me. Now, it’s just a matter of putting them all in prose as opposed to script format. Of course, a lot has changed since I originally wrote these, so I’m having to make some significant changes to the plots and characters. In the end, I think this will turn out to be a very exciting series. I think the successful return of Dallas a year or so ago bodes well for Gems & Jewels. I think the fans are going to love this and really get into it.

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Miss Matisse Interview- With Published Author Digger Cartwright Question 9

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Miss Matisse: You have thirteen years under your belt already! That’s pretty cool if I do say so myself, because that’s more than most authors can say that they have! What should readers expect to find when they pick up a Digger Cartwright book?

Digger Cartwright: Murder, mystery, intrigue, an engaging story with twists and turns when it comes to most of my books. Conversations on the Bench is the lone example at this point, since it’s motivational and was inspired by actual events. Regardless of what book you read, it’s going to be an interesting and unique storyline. There are going to be a lot of memorable characters. There are going to be a lot of descriptions of the people and the settings. I try to paint a picture so that you as a reader feel like you’re in the story. I want you to be able to see the people and places in your heads. Some of the books you won’t be able to put down. You’re going to want to keep reading to find out what happens. Others, you’re going to want to step back and think about it for a while. In any case, you’re going to get an engaging story and a quality piece of work. None of my books are going to be like the run-of-the-mill books being put out by mainstream authors today.

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Miss Matisse Interview- With Published Author Digger Cartwright Question 2

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Miss Matisse: That is so interesting! I like the fact that you’ve read stories and have thought about how you could make them better, plus the fact that you really delve deep and get creative which I highly respect! Creativity is something that comes naturally to certain people and this is what leads me to my next question… What would you say has inspired/motivated you to do what you do in everyday life both personally and professionally?

Digger Cartwright: I want to do the best job I can at whatever I do. I really enjoy what I do in terms of business and writing, so perhaps it’s self gratification that motivates me along with a desire to give back to worthwhile causes and bring some entertainment to others’ lives. There’s nothing like the satisfaction of a job well done. I work hard to make each book I write something interesting and unique that the readers can enjoy.

Of course, some people like some of my books better than others. A lot of readers really dislike Murder at the Ocean Forest; they find it long and drawn out and difficult to read. It was done that way deliberately. Some readers like the fast pace of The Versailles Conspiracy. A lot of people don’t like the ending of The House of Dark Shadows. Surprisingly, most people like The Maywarings: A Game of Chance, in part I think because there aren’t many westerns anymore.

Overwhelmingly, Conversations on the Bench has been most readers’ favorite. There’s something in that book that everyone can relate to.

At the end of the day, whether they love a particular book or hate it, they agree that it’s well written and reflective of my desire to produce quality books. I could turn out ten books a year that are all crap or marginal or I can produce one or two per year that are outstanding. To me quality is more important than quantity. It’s really satisfying that readers appreciate the hard work that goes into each of my books to paint a picture for the reader of the setting and the people. If I can bring a smile to someone’s face or help them escape from the reality of everyday life for a little while by getting lost in one of my books, I think I’ve done something special for them.

Perhaps more important than this is the ability to give back and help causes that are near and dear to my heart. When you’ve been fortunate in life to enjoy a degree of success, it’s always good to give back. I’m always trying to find ways to help charities and promote their work. If my business and writing enable me to make a contribution to a local no-kill shelter that saves a homeless animal and feeds it and cares for it until it finds a forever home, I’ve made a difference.

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Digger Cartwright on lack of work ethic and professionalism

Have you ever noticed the lack of work ethic and professionalism in America today?  It never ceases to amaze me in my own organizations and those of others.  You would think that in these challenging economic times and when America is losing its competitiveness to companies overseas that Americans would be working harder to improve their own livelihoods and protect their jobs.  Evidently, Americans today suffer from laziness and apathy which translates into poor work ethic which is itself one of the reasons why we’re losing our competitive edge.  And more frightening is that large companies seem to be willing to accept this poor performance by employees in their own organizations which tarnishes their images with consumers and gives them a reputation for a lack of professionalism.

Two instances that I encountered in the past week highlight my concerns.

First, I was in one of the large home improvement retailers to pick up some batteries and a couple of plants.  It wasn’t busy when I went to check out, but the entire time the cashier was carrying on a conversation with the other two cashiers.  She never acknowledged my presence, greeted me, asked me if I found everything ok, or even seemed to care that I was a customer.  She didn’t tell me how much the purchase was.  I just swiped my card while she and the other cashiers talked about so and so who was seeing so and so and having problems.  When I got my receipt, I told her “Thank you, and please don’t let the customers interrupt your conversation and gossip.”  She and the other cashiers looked at me in shock.  How dare someone say something like that to them!  Has this ever happened to you?  I thought I was just overreacting so I asked some other people who had also encountered this type of behavior at other stores—retailers, grocery stores, etc.  The more I thought about it, the more offensive I found the behavior.  So, I called the store and asked for the manager.  I wasn’t out to complain; I just wanted to let the manager know, one professional to another, what had happened.  If there had been a lapse like this in one of my organizations, I would appreciate the call to let us know where our employees had come up short in dealing with clients or customers.  I was put on hold for an inordinate amount of time then conveniently disconnected.  I called back and informed the person who answered the phone that I was on hold for the manager and that I had been disconnected.  The response was tepid and I was put on hold again.  Luckily, I was at the office so I put the phone on speaker and went about my business.  Forty minutes later, I was conveniently disconnected once again.  Needless to say, I kept trying over several days but to no avail.  Guess I just won’t patronize that establishment again.

The second episode happened at one of my regular lunch spots.  I was hungry and in a bit of a hurry that day so I thought I would order a chef salad.  It wasn’t the first time I had had the chef salad and it wasn’t the first time the waitress had waited on me.  She’d been there a while and knew my preferences.  I reminded her when I ordered that I just wanted the iceberg lettuce and not the mixed field greens.  When it came out, it was the mixed field greens.  She was busy and I was hungry, so I just sucked it up and ate the chicken, ham, cheese, eggs and what iceberg lettuce I could find in it.  When I was done and she cleared the plate, she made a comment that it wasn’t the iceberg lettuce.  I agreed that it was not and her comment was that she put it in as iceberg lettuce but guess we can’t get it right every time.  I didn’t say anything but it really annoyed me.  First, she should have noticed when she picked up the salad in the kitchen that it wasn’t the iceberg lettuce.  So, not only did the kitchen have a breakdown in communication somewhere along the way, but as the second line of defense, she dropped the ball as well.  I understand mistakes happen from time to time, and I’m pretty easy going.  But when the situation breaks down and the comment is that they can’t get it right every time, the nonchalant, uncaring attitude wasn’t really professional.  To me, it showed that the waitress didn’t care.  In talking to some other associates I know who frequent the establishment, they also indicated they had encountered this attitude from other servers on various occasions.  Even though the food is good, I’m reconsidering future patronization of the establishment.

My colleagues and people here in the office are telling me I’m being too hard on these people.  They’re telling me that my expectations are too high and that this is just the business world today.  I disagree.  When did this become acceptable in business in America?  When did not returning a phone call become acceptable?  When did customer service get thrown in the trash?  Have consumers really become content to accept this lack of professionalism?  Have employers accepted this work ethic?  Can’t they get better employees than that, particularly in an economy with over 7% unemployment and where many individuals have completely left the workforce?

The solution is simple.  Employers need to train their employees a little better in customer service and work ethic.  There needs to be accountability in organizations.  Employees need to have performance reviews and clear understanding of what the employer expects of them.  Employees who aren’t contributing to the organization or doing their jobs need to be let go.  Employers need to quit being afraid of having to go to the labor board.  Make your case why you fired the person!  Employees need to remember the old saying that graveyards are full of people who thought they couldn’t be replaced and found out otherwise.  Employees and employers need to have a mutual respect and understanding that collective hard work benefits everyone.

The human resource people in larger organizations need to do a better job screening candidates rather than just relying on computer programs to figure out who to interview and hire.  I’m tired of hearing managers in larger companies say there aren’t any good workers out there.  That’s total BS!  The people in HR are passing over a lot of good, hard workers because they’re afraid someone is going to take their jobs, so they sit back in their offices and go to lunch together and tell the boss they can’t find anyone for a certain position.  All the while they’re just looking to protect their own positions in an organization.  It’s a lot easier for small businesses to screen who they’re hiring.  Most of the time the owners meet face to face with the applicants and conduct the interviews themselves.  Having said this, who has better customer service—the mom and pop bakery on Main Street or the international conglomerate with offices all over the world and a corporate hierarchy?

But we also need to do a better job of instilling a sense of pride in a job well done in America’s youth.  People need to take pride in what they do.  If the only job you can get is a waitress, make sure you’re the best damn waitress you can be.  If you’re a janitor, make sure you’re the best janitor there is.  Go over and above to do your job.  If you’re the head of the company, make sure you’re the best damn CEO there is—hardworking, understanding, fair but tough, generous and be willing to do the same job that anyone in your organization is expected to do.

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What tips do you have for young aspiring writers? Interview by learnfreemarketing

Writing takes a lot of hard work, patience, and dedication. Most of the time, writing is a labor of love, it’s a passion. You don’t get noticed overnight, and if you’re in it to get rich and famous, you’re probably going to be disappointed. You shouldn’t be writing because you think it’s going to make you rich and famous. You should be writing because you enjoy it and it’s a personally rewarding experience for you and it may bring joy and entertainment to others. If you end up getting rich and famous, good for you. I’m certainly not trying to be discouraging, but the fact is a lot of writers never get recognized, never get an agent, and never get published by a major publishing house. If you’re serious about writing, make sure you have a good story to tell. Make sure your manuscript is professionally edited and polished. You can’t throw something together haphazardly and say it’s ready to be published. You’ve got to make sure that your final product, your final manuscript, is the best that it can be. It can’t just be good. It has to be great. There’s a lot of competition out there. I think there will be something like 2 million books published this year. You’ve got to make sure yours is exceptional if you want to be successful. Then you have to decide if you want to go the traditional route of trying to find an agent to get your book published by a major publishing house or if you want to self-publish. There are pros and cons to both. A lot of people have made a decent living through self-publishing. If you have an entrepreneurial spirit and really want to take charge of marketing your own work, you might be a candidate for self-publishing. Here again, nothing happens overnight. You’ll need to be patient. You’ll need to be dedicated and disciplined. And don’t get discouraged if you’re not as successful as you hoped or if you get turned down by agents or publishers. If you believe in yourself, keep working on it. When you get bucked off the horse, you’ve got to get back in the saddle and keep at it. The same goes for writing. If you believe in yourself and your work, keep going. Write more and more. The more you write, the better you’re going to get at it. Listen to criticism; it can be helpful. You may want to take some classes or workshops to help improve your skills. But if you’re an aspiring writer, you need to be aware of the challenges, you need to believe in yourself, and you need to be patient.

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As an author of several mystery novels, what motivated you to shift gears with your latest project and write an inspirational book? Interview by “With Five Questions”

Actually, it wasn’t my idea to write my latest book, Conversations on the Bench. I was asked if I would be interested in writing a book about Sebastian, the central figure of this novel. What really motivated me to undertake the project was Sebastian himself and the story he had to tell. I only met him in person at a symposium hosted by the think tank that he had been instrumental in establishing. Over the next couple days I got to know him and his colleague, and I realized that he had a very fascinating perspective on life that was really the result of his own unique set of life experiences. The more I learned from my few conversations with Sebastian at that symposium and the more I subsequently learned from Robbie, the founder of the think tank, the more motivated I got about writing this inspirational book. It was clear to me that Sebastian’s story needed to be told. He had such a huge personality that you couldn’t help but like the guy, and I think everyone did. Everyone that I talked to had something good to say about Sebastian or had some story to tell about him and how he had impacted their life. He was always very positive and encouraging, and he was always there for his friends. He was just a remarkable individual and the more I got to hear his story, the more inspired I was. And ultimately, this entire project, Sebastian’s story, has really had a very big impact on my life, just as Sebastian himself had a big impact on the lives of people who knew him.

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Could you tell us a little bit about the real life friendship that inspired Conversations on the Bench? Interview by “With Five Questions”

Robbie was a young college student when he met Sebastian in the mid-1990s. They met while both working at a hotel in Myrtle Beach, South Carolina. Robbie was a full-time student studying finance, business, economics, etc. and worked full time. Sebastian had an educational background in economics and worked two jobs–tax investigator by day and hotel reservationist by night. They would spend hours talking about everything going on in their worlds and the world at large. And thus began a lifelong friendship. After Robbie graduated from college, Sebastian had some very poignant words of wisdom and anecdotes to share to help the young college grad get through some tough times. Robbie ended up starting his own successful business at about the same time that Sebastian was forced to retire due to health issues. That gave them the opportunity to spend a lot of time together, Sebastian mentoring Robbie and giving him encouragement, and Robbie integrating Sebastian in the business as much as possible.

They ended up starting a think tank, Thinking Outside the Boxe, to share their writings about any topic they could debate as well as their economic commentaries and research. As Sebastian’s health declined, Robbie was there to offer support and encouragement, just as Sebastian had been there for him. These two guys had this great brotherly relationship. Robbie even referred to Sebastian on many occasions as the brother he never had. And I think Sebastian liked that and really thought of Robbie as his little brother. He was there for Robbie to give him advice on women, relationships, business, whatever, and all the advice came from Sebastian’s own experiences. It’s the type of friendship that very few people are lucky enough to find in this life. It’s really just a heartwarming and truly inspirational friendship that I have recounted in Conversations on the Bench.

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What are the unique challenges of writing nonfiction compared with writing fiction? Interview by “With Five Questions”

With fiction you can do just about anything. You can suspend reality, and the bigger the lie is, the more believable it is to some extent. With fiction, the writer is bound only by the bounds of his own imagination. It’s like an artist with a blank canvas. You start with nothing and slowly but deliberately fill the canvas and bring the picture to life.

Nonfiction is a little more restrictive. Nonfiction is sort of like paint-by-number. You’ve got a pre-established set of lines and you just have to paint inside the lines. You might get away with changing up the colors a little bit, but you’ve got to stay in the lines. Nonfiction is reality. You’re just re-telling what has already happened. Now, as an author you can take certain liberties and change up the scenery. Maybe you make it raining in a scene where it was a sunny day. Maybe the people involved don’t remember where a certain conversation that is being recounted took place, so you have to create a scene where there was not one. With a work of fiction, you get to create the people and everything about them. With nonfiction, you have to get to know the people you’re writing about and try to convey a factual representation of them as best you can.

With Conversations on the Bench, I was able to obtain the crux of the lessons and the conversations through interviews with one of the characters in the book. There may not have been a record of exactly when the conversation took place or who else may have been there or in what circumstance the conversation came up or exactly what was said in the conversation. So, as the author, going back to the artist example, I had a paint-by-number that had some missing lines. I had to create those missing lines, then fill in inside the lines with the right color and the right amount of that color. It was certainly a challenge for me going from fiction to a factually-based storyline. You’ve got to know the people you’re writing about pretty well. It took me time and a lot of telephone conversations to get the story from Robbie and get to the point where I felt comfortable that I knew him and Sebastian.

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