You have to be very methodical when you write a mystery novel, because it’s usually a very analytical process. I start and build up the characters in anticipation of the problem. The problem is usually a murder that the reader must try to figure out who did it or an event that leaves the reader trying to figure out why it happened or why other things in the story are happening. You’ve got to be very careful in what you give the reader in the way of clues because that obviously has an impact on how the story ends. And of course, as the writer you get to choose who did it and why. So I think it’s pretty exciting to be able to present a problem, lead the reader along with some series of events and clues that lead up to the dénouement, and then come up with whatever ending you as the writer want. A lot of times it may not be the ending that the readers want, but as the author you get to decide how you want it to end.

It’s exciting for me to be able to start with a blank piece of paper and make the story and the characters and the places come to life for the reader. It’s sort of like an artist with a blank canvas. You start with nothing and you can do whatever you want with the art you create. You get to fill the pages with a world of your own creation. You can bend the rules or you can suspend reality, because in the end it’s about creating something enjoyable for the readers, and to do that sometimes you have to let your imagination run wild and see where it goes. You can be bold if you want in your characters or your storyline. The writer has great freedom of expression in writing the story, and it’s exciting for me to pull a lot of different elements together into a story that makes the reader want to keep turning the page for more.