Miss Matisse Interview- With Published Author Digger Cartwright Question 9

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Miss Matisse: You have thirteen years under your belt already! That’s pretty cool if I do say so myself, because that’s more than most authors can say that they have! What should readers expect to find when they pick up a Digger Cartwright book?

Digger Cartwright: Murder, mystery, intrigue, an engaging story with twists and turns when it comes to most of my books. Conversations on the Bench is the lone example at this point, since it’s motivational and was inspired by actual events. Regardless of what book you read, it’s going to be an interesting and unique storyline. There are going to be a lot of memorable characters. There are going to be a lot of descriptions of the people and the settings. I try to paint a picture so that you as a reader feel like you’re in the story. I want you to be able to see the people and places in your heads. Some of the books you won’t be able to put down. You’re going to want to keep reading to find out what happens. Others, you’re going to want to step back and think about it for a while. In any case, you’re going to get an engaging story and a quality piece of work. None of my books are going to be like the run-of-the-mill books being put out by mainstream authors today.

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Miss Matisse Interview- With Published Author Digger Cartwright Question 8

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Miss Matisse: I will have to check out (Conversations on the Bench) for myself when I can find some extra time to sit down and read! It sounds very interesting… J How long have you been writing?

Digger Cartwright: Many years off and on. I guess I’ve really taken it seriously and been dedicated to writing since 2000. That’s when I sat down and wrote Murder at the Ocean Forest, and I’ve been writing ever since. I tried the traditional means of getting Murder at the Ocean Forest published until I finally decided to self-publish in about 2005.

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Miss Matisse Interview- With Published Author Digger Cartwright Question 7

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Miss Matisse: Yes, I love the worldwide web for the simple fact that now it’s not only Americans who can reap benefits, EVERYONE in the world now can! The “Indie” route whether writing, being a shop owner, music etc. I would say is definitely the way to go nowadays! What genres of stories have you written about?

Digger Cartwright: The Maynwarings: A Game of Chance is a western set in Carson City, Nevada after the Civil War. The House of Dark Shadows is a psychological thriller that is very character driven with what I like to think of as an Alfred Hitchcock-like twist at the end. The Versailles Conspiracy is a modern day political thriller with international intrigue, murders, conspiracies, and a lot of twists and turns that stretch from high society country clubs to strip clubs to political organizations throughout the world. Murder at the Ocean Forest is a period piece set in the 1940s at the famed Ocean Forest hotel in Myrtle Beach, South Carolina. It’s a traditional mystery along the lines of an Agatha Christie book where the “locked door” mystery keeps readers trying to solve the puzzle. But there’s also an international intrigue aspect to this once since it’s during World War II. Conversations on the Bench is an inspirational or motivational story that’s based on actual events. It’s a collection of life lessons shared between two friends, and as I’ve said time and time again there is something in that book for everyone who reads it.

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Miss Matisse Interview- With Published Author Digger Cartwright Question 6

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Miss Matisse: This is ALL excellent information and advice you have given to our readers who may be interested in becoming an author, and I’m positive that they will take away a lot from it! Are you currently a published writer? If so, could you elaborate on this a bit…If not, have you ever thought about publishing your books?

Digger Cartwright: When I first started writing, I was one of these authors who had been brainwashed that you have to have an agent to get your book published and be successful. After several years of rejections, hundreds of letters that went unanswered, and getting nowhere, I decided to abandon that failed strategy and self-publish my books. It was probably one of the best decisions I could have made. Since then, I’ve had my team of marketing folks working on different strategies to get word out about each book, interact with the fans and readers, and gain more exposure for me and my work. It’s not easy, but it can work. The entire indie author space has really blossomed as a result of e-books and readers and the internet and social media. Now indie authors can reach just as many readers and potential fans as the traditional publishers. There are tons of marketing options and an abundance of resources for self-published authors. I look at it as another business venture, and I’m in the process of setting up the National Federation of Self-Published Author Entrepreneurs as a resource for indie authors who decide to go the self-published route.

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Miss Matisse Interview- With Published Author Digger Cartwright Question 5

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Miss Matisse: I’ve realized in the years I’ve done online sales, and writing myself that a degree isn’t always required, and a handful of the authors that actually don’t have degrees are the BEST ones out here! I commend you for pursuing your passion, and those classes that you took have paid off! What would you say is your process when it comes to writing? i.e. How do you normally begin?

Digger Cartwright: It normally starts with an idea. I’ll jot down some notes on paper. Yes, I’m a bit old fashioned when it comes to that. I like to write ideas down on a legal pad or notepad. Sometimes the story comes into focus first and sometimes the characters come into focus for me before I have the entire story in my mind. Sometimes this happens almost overnight and sometimes it takes days, weeks or months. I’ll make a list of the characters and a little description of them including things like how they look, dress, act, and so on. I’ll make an outline of the plot and work out the sequence of events so I have something to follow when I sit down to actually write the manuscript.

I have to make a decision as to what style and tone I want the book to have. Is it going to be fast paced or slow moving and methodical? Is it going to be character driven or story driven? Is it going to be dark? What’s the best style for the genre that it’s in? I have to make all these decisions, then it’s really just a matter of doing the work and putting the words on paper. Sometimes I’ll skip around once I have the outline. I have been known to write the ending first once or twice, and sometimes I’ll just work chronologically from the first event all the way through to the end.

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Miss Matisse Interview- With Published Author Digger Cartwright Question 3

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Miss Matisse: Wow! I’m actually quite shocked at how you can remember everything from the titles of your books that you’ve written, all the way up to which stories have been the favorites amongst your fans, and why they’ve been favorites! Your quality of writing is phenomenal might I add…I’d say our readers are in for a definite treat! Do you have any degrees or formal training in writing?

Digger Cartwright: I do not. I had a lot of practice diagramming sentences in school when I was a kid, so it really helped with grammar and sentence structure. I always had a fondness for literature, so I took a good deal of literature classes in college and that required a good deal of writing. Aside from that, I’ve really just had to pick it up along the way. As I mentioned before, I was always a prolific reader, so I picked up a lot in terms of style and technique from other writers over the years.

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Miss Matisse Interview- With Published Author Digger Cartwright Question 2

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Miss Matisse: That is so interesting! I like the fact that you’ve read stories and have thought about how you could make them better, plus the fact that you really delve deep and get creative which I highly respect! Creativity is something that comes naturally to certain people and this is what leads me to my next question… What would you say has inspired/motivated you to do what you do in everyday life both personally and professionally?

Digger Cartwright: I want to do the best job I can at whatever I do. I really enjoy what I do in terms of business and writing, so perhaps it’s self gratification that motivates me along with a desire to give back to worthwhile causes and bring some entertainment to others’ lives. There’s nothing like the satisfaction of a job well done. I work hard to make each book I write something interesting and unique that the readers can enjoy.

Of course, some people like some of my books better than others. A lot of readers really dislike Murder at the Ocean Forest; they find it long and drawn out and difficult to read. It was done that way deliberately. Some readers like the fast pace of The Versailles Conspiracy. A lot of people don’t like the ending of The House of Dark Shadows. Surprisingly, most people like The Maywarings: A Game of Chance, in part I think because there aren’t many westerns anymore.

Overwhelmingly, Conversations on the Bench has been most readers’ favorite. There’s something in that book that everyone can relate to.

At the end of the day, whether they love a particular book or hate it, they agree that it’s well written and reflective of my desire to produce quality books. I could turn out ten books a year that are all crap or marginal or I can produce one or two per year that are outstanding. To me quality is more important than quantity. It’s really satisfying that readers appreciate the hard work that goes into each of my books to paint a picture for the reader of the setting and the people. If I can bring a smile to someone’s face or help them escape from the reality of everyday life for a little while by getting lost in one of my books, I think I’ve done something special for them.

Perhaps more important than this is the ability to give back and help causes that are near and dear to my heart. When you’ve been fortunate in life to enjoy a degree of success, it’s always good to give back. I’m always trying to find ways to help charities and promote their work. If my business and writing enable me to make a contribution to a local no-kill shelter that saves a homeless animal and feeds it and cares for it until it finds a forever home, I’ve made a difference.

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Digger Cartwright on lack of work ethic and professionalism

Have you ever noticed the lack of work ethic and professionalism in America today?  It never ceases to amaze me in my own organizations and those of others.  You would think that in these challenging economic times and when America is losing its competitiveness to companies overseas that Americans would be working harder to improve their own livelihoods and protect their jobs.  Evidently, Americans today suffer from laziness and apathy which translates into poor work ethic which is itself one of the reasons why we’re losing our competitive edge.  And more frightening is that large companies seem to be willing to accept this poor performance by employees in their own organizations which tarnishes their images with consumers and gives them a reputation for a lack of professionalism.

Two instances that I encountered in the past week highlight my concerns.

First, I was in one of the large home improvement retailers to pick up some batteries and a couple of plants.  It wasn’t busy when I went to check out, but the entire time the cashier was carrying on a conversation with the other two cashiers.  She never acknowledged my presence, greeted me, asked me if I found everything ok, or even seemed to care that I was a customer.  She didn’t tell me how much the purchase was.  I just swiped my card while she and the other cashiers talked about so and so who was seeing so and so and having problems.  When I got my receipt, I told her “Thank you, and please don’t let the customers interrupt your conversation and gossip.”  She and the other cashiers looked at me in shock.  How dare someone say something like that to them!  Has this ever happened to you?  I thought I was just overreacting so I asked some other people who had also encountered this type of behavior at other stores—retailers, grocery stores, etc.  The more I thought about it, the more offensive I found the behavior.  So, I called the store and asked for the manager.  I wasn’t out to complain; I just wanted to let the manager know, one professional to another, what had happened.  If there had been a lapse like this in one of my organizations, I would appreciate the call to let us know where our employees had come up short in dealing with clients or customers.  I was put on hold for an inordinate amount of time then conveniently disconnected.  I called back and informed the person who answered the phone that I was on hold for the manager and that I had been disconnected.  The response was tepid and I was put on hold again.  Luckily, I was at the office so I put the phone on speaker and went about my business.  Forty minutes later, I was conveniently disconnected once again.  Needless to say, I kept trying over several days but to no avail.  Guess I just won’t patronize that establishment again.

The second episode happened at one of my regular lunch spots.  I was hungry and in a bit of a hurry that day so I thought I would order a chef salad.  It wasn’t the first time I had had the chef salad and it wasn’t the first time the waitress had waited on me.  She’d been there a while and knew my preferences.  I reminded her when I ordered that I just wanted the iceberg lettuce and not the mixed field greens.  When it came out, it was the mixed field greens.  She was busy and I was hungry, so I just sucked it up and ate the chicken, ham, cheese, eggs and what iceberg lettuce I could find in it.  When I was done and she cleared the plate, she made a comment that it wasn’t the iceberg lettuce.  I agreed that it was not and her comment was that she put it in as iceberg lettuce but guess we can’t get it right every time.  I didn’t say anything but it really annoyed me.  First, she should have noticed when she picked up the salad in the kitchen that it wasn’t the iceberg lettuce.  So, not only did the kitchen have a breakdown in communication somewhere along the way, but as the second line of defense, she dropped the ball as well.  I understand mistakes happen from time to time, and I’m pretty easy going.  But when the situation breaks down and the comment is that they can’t get it right every time, the nonchalant, uncaring attitude wasn’t really professional.  To me, it showed that the waitress didn’t care.  In talking to some other associates I know who frequent the establishment, they also indicated they had encountered this attitude from other servers on various occasions.  Even though the food is good, I’m reconsidering future patronization of the establishment.

My colleagues and people here in the office are telling me I’m being too hard on these people.  They’re telling me that my expectations are too high and that this is just the business world today.  I disagree.  When did this become acceptable in business in America?  When did not returning a phone call become acceptable?  When did customer service get thrown in the trash?  Have consumers really become content to accept this lack of professionalism?  Have employers accepted this work ethic?  Can’t they get better employees than that, particularly in an economy with over 7% unemployment and where many individuals have completely left the workforce?

The solution is simple.  Employers need to train their employees a little better in customer service and work ethic.  There needs to be accountability in organizations.  Employees need to have performance reviews and clear understanding of what the employer expects of them.  Employees who aren’t contributing to the organization or doing their jobs need to be let go.  Employers need to quit being afraid of having to go to the labor board.  Make your case why you fired the person!  Employees need to remember the old saying that graveyards are full of people who thought they couldn’t be replaced and found out otherwise.  Employees and employers need to have a mutual respect and understanding that collective hard work benefits everyone.

The human resource people in larger organizations need to do a better job screening candidates rather than just relying on computer programs to figure out who to interview and hire.  I’m tired of hearing managers in larger companies say there aren’t any good workers out there.  That’s total BS!  The people in HR are passing over a lot of good, hard workers because they’re afraid someone is going to take their jobs, so they sit back in their offices and go to lunch together and tell the boss they can’t find anyone for a certain position.  All the while they’re just looking to protect their own positions in an organization.  It’s a lot easier for small businesses to screen who they’re hiring.  Most of the time the owners meet face to face with the applicants and conduct the interviews themselves.  Having said this, who has better customer service—the mom and pop bakery on Main Street or the international conglomerate with offices all over the world and a corporate hierarchy?

But we also need to do a better job of instilling a sense of pride in a job well done in America’s youth.  People need to take pride in what they do.  If the only job you can get is a waitress, make sure you’re the best damn waitress you can be.  If you’re a janitor, make sure you’re the best janitor there is.  Go over and above to do your job.  If you’re the head of the company, make sure you’re the best damn CEO there is—hardworking, understanding, fair but tough, generous and be willing to do the same job that anyone in your organization is expected to do.

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Miss Matisse Interview- With Published Author Digger Cartwright Question 1

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Miss Matisse: Hello Digger, so…first things first, what an awesome name you have! Would you mind telling our readers a little about yourself and how you became a writer?

Digger Cartwright: I’m a businessman and entrepreneur first, and in the process of starting and running businesses I’ve had to do a great deal of writing over the years. Predominantly, it’s been in the form of business plans or research reports or articles for trade publications. Over the years I also did a lot of letter writing to politicians to give my commentaries on issues effecting America, business or the economy. I’ve done a lot of writing of commentaries for think tanks, like ThinkingOutsideTheBoxe.com, but it’s more along the lines of presenting a case and offering interpretations and solutions.

I think what really got me started writing was that I didn’t like the ending of a particular book so I set about to write the ending that I liked. There were some short stories along the way and teleplays before I decided to make the plunge into my first novel. I actually wrote The Versailles Conspiracy first as a quasi screenplay/novel. After that I didn’t do much for a couple of years until I got the idea for Murder at the Ocean Forest, which became the first novel I actually published.

I’ve always been very creative, ever since I was a child, and I’ve liked to be the storyteller at times, so perhaps there’s always been the writer in me. I’ve always been an avid reader, so there has always been part of me that said I can do that or I can write a better story than that. Some say I have a flair for dramatics. So overall, writing is a good fit for me. I’ll let the readers be the judge of that.

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What tips do you have for young aspiring writers? Interview by learnfreemarketing

Writing takes a lot of hard work, patience, and dedication. Most of the time, writing is a labor of love, it’s a passion. You don’t get noticed overnight, and if you’re in it to get rich and famous, you’re probably going to be disappointed. You shouldn’t be writing because you think it’s going to make you rich and famous. You should be writing because you enjoy it and it’s a personally rewarding experience for you and it may bring joy and entertainment to others. If you end up getting rich and famous, good for you. I’m certainly not trying to be discouraging, but the fact is a lot of writers never get recognized, never get an agent, and never get published by a major publishing house. If you’re serious about writing, make sure you have a good story to tell. Make sure your manuscript is professionally edited and polished. You can’t throw something together haphazardly and say it’s ready to be published. You’ve got to make sure that your final product, your final manuscript, is the best that it can be. It can’t just be good. It has to be great. There’s a lot of competition out there. I think there will be something like 2 million books published this year. You’ve got to make sure yours is exceptional if you want to be successful. Then you have to decide if you want to go the traditional route of trying to find an agent to get your book published by a major publishing house or if you want to self-publish. There are pros and cons to both. A lot of people have made a decent living through self-publishing. If you have an entrepreneurial spirit and really want to take charge of marketing your own work, you might be a candidate for self-publishing. Here again, nothing happens overnight. You’ll need to be patient. You’ll need to be dedicated and disciplined. And don’t get discouraged if you’re not as successful as you hoped or if you get turned down by agents or publishers. If you believe in yourself, keep working on it. When you get bucked off the horse, you’ve got to get back in the saddle and keep at it. The same goes for writing. If you believe in yourself and your work, keep going. Write more and more. The more you write, the better you’re going to get at it. Listen to criticism; it can be helpful. You may want to take some classes or workshops to help improve your skills. But if you’re an aspiring writer, you need to be aware of the challenges, you need to believe in yourself, and you need to be patient.

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